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SCRIPT is the West Midlands agency for dramatic writers.

   
 

 

 
   
   

WRITERS WHO HAVE RECEIVED MENTORING AND DEVELOPMENT OPPORTUNITIES FROM SCRIPT

Paul Lucas
As a direct result of script development workshops with the director Anthony Clark, Paul's first play 'Swamp City' was produced by the Birmingham Rep in 1996. Birmingham Rep also commissioned and mounted 'All That Trouble That We Had' (1999) and 'The Slight Witch' (2000), both directed by Anthony Clark at The Door, and published by Faber & Faber.


Paul’s play 'The Dice House' opened in the West End at the Arts Theatre in February 2004. First mounted at The Belgrade Theatre, Coventry in 2001, it was subsequently revived at The Old Red Lion in 2002 and then in Edinburgh for the 2002 Fringe Festival. A new edition of the play has been published by Oberon.

Paul also wrote 'The Star Throwers', which premiered at the Stephen Joseph Theatre in The Round in Scarborough on 19th February 2002.


Sarah Woods

Work includes 'Cake' premiered at Birmingham Rep's Door; 'Antigone', produced and toured nationwide by Tag Theatre Co., Glasgow, and selected as a finalist of the Susan Smith Blackburn Prize 2001; 'Trips', a ‘promenade’ play with video, which premiered at the Birmingham Rep.; her play 'Grace' (Jade Theatre Company) was nominated for the LWT Comedy Writing Award at the 1997 Edinburgh Festival, and was performed at the Arts Theatre London after a nationwide tour.

For BBC radio, Sarah has written over 30 original plays, adaptations and series including her trilogy 'The Trinity', Prix Italia Award nominee 1998, which she also directed.

She is currently writing 'Visible', a co-production with Cardboard Citizens and the RSC, touring autumn 2005; 'My World' for the Stephen Joseph Theatre, Scarborough and 'Walking on Water' for Theatre Centre. For radio, she is working on one of a series of plays commissioned by the BBC and the Open University.

Sarah is a member of the Monsterists movement, and also heads the Mphil(B) in Playwriting at the University of Birmingham.


Deborah Catesby
Deborah's play, 'The Mother', will be broadcast on Radio 4 in November 2005 as one of a series about women involved in the Gunpowder Plot. The plays have been written by women writers in the West Midlands. Her play, 'Protection' (Director: Jenny Stephens) was broadcast in 2004. She was selected to write a 10 minute musical (in a day) for Greenwich Theatre as part of their festival in February 2005 (Director: Ellie Jones). 'Holding the Granny', commissioned by Real People Theatre (Director: Suwe Lister) had its production in York 2004 and has been touring in 2005. Commissioned by the Swan Theatre, Worcester, 'Happy Land' was one of four plays in The Worcester Century Project staged at the theatre in 2001. Deborah received an Arts Council Bursary in 1998 and a further award in 2002 for 'Dressing Up'.

In 1998 'The Second Cosmic Hair Gallery' was commissioned and produced by The Orange Tree Theatre, Richmond. 'Swimming' was produced by the New Birmingham Theatre Company in 1996 and directed by Tanya Nash. In the same year, 'The Malvern Widow' was produced by the Swan Theatre, Worcester and 'Haven' was commissioned and produced by The Ideal Theatre Company at the Bridewell Theatre, London (Director: Pat O’Toole).

Deborah is currently a tutor and course co-ordinator on Birmingham University's part-time degree in Creative Writing.


Fraser Grace
Fraser’s play, 'Perpetua' – about the ‘abortion wars’ in the US – was joint winner of the 1996 Verity Bargate Award, and was produced at the Birmingham REP in 1999 (director: Jonathan Lloyd), and revived at the Latchmere Theatre in 2004 (director:  Dan Milne). More recently 'Gifts of War'  was presented at the Latchmere Theatre, and went on to tour nationally in 2005, in a production by Menagerie Theatre, Cambridge (director: Paul Bourne).

Two further plays premiered in 2005. Treatment Theatre's 'Who Killed Mr Drum?', co-written with Sylvester Stein, premieres in Riverside Studios in September (director: Paul Robinson), followed by 'Breakfast with Mugabe', at the RSC Stratford (director: Anthony Sher), in October, which was followed by a run at the Soho Theatre, London in 2006.

 

BIRMINGHAM REP ATTACHMENT WRITERS - 2004

Chantal Hopkins

Chantal's first play '650 Watts' was staged as part of the Birmingham Rep's Transmissions Festival of new writing in 2001. She was involved with Transmissions for a second time in 2002 and wrote 'Death and Custard Tarts'. During that year she also went to Singapore on an exchange with the Necessary Stage Theatre, where another play was performed. She also wrote an episode of 'Fireman Sam' for Siriol Productions.

The play 'Birmingham New Street this is Birmingham New Street' was developed in 2003 and as a direct result of sending this play to Script, she was then accepted on the Rep's Attachment Scheme for playwrights in 2004.

In 2005 she has been commissioned to write a new play for the Rep's Youth Theatre and this will be called 'Yawn'. She is also currently developing a radio play with Radio 4 called 'Bob Marley's Donuts' and writing a book called 'The Lonely PIstachios.'

Mark Kilburn

Mark's writing and teaching work includes stints as a visiting tutor in Drama at Fircroft College, Birmingham, Dramaturg for Manchester City of Drama New Writing Project and Storyliner for the BBC series, 'Casualty'.

Since 1995 he has lived in Denmark, where's he's worked for serveral years at The City Open Theatre, Arhus, as Writer in Residence and more recently as Literary Manager. Staged plays include, 'Heaven plc', '1649', 'The Definite Article', 'Beach Stories', 'Toxic Memory' and 'Talking it Over'. He is a winner of the prestigious Canongate Prize (2002), Britain's biggest award for new writing, for his short story 'Greek Play in a Roman Garden'.

WRITERS SELECTED FOR THE FOURSIGHT THEATRE PAGE TO STAGE SCHEME - 2005

Penni Gillis began writing plays in 1999 when she wrote a Revenger's Tragedy as part of a Theatre Studies Module at Wolverhampton University. After the course was finished Penni carried on working on the play she had begun. A scene from this play, 'The Changling', was produced at the Contact Theatre in 2004.

Penni's play 'Home Sweet Home'  was one of two plays that were selected to be produced in March 2005 as part of the Foursight Theatre Page to Stage scheme. The play tackles difficult subjects such as being old and facing death and losing a relationship with a close friend after a lifetime of physical and emotional abuse. The two elderly women who make up the cast cope with their situation with ingenuity and aplomb.

Penni is working on her next play, 'Ann and Em', which confronts ineptitude and revenge (again) to work through the problem of guilt.

 

Christine Watkins

As a result of selection via Script and Foursight Theatre, Christine's play 'Welcome to My World' was staged at Newhampton Arts Centre in March 2005 (director Kate Hale). She has previously had work produced by Pentabus Theatre, New Theatre Works, Feelgood Productions (Manchester), Made in Wales and Welsh National Opera. She also performs some of her own work solo or in collaboration with other artists. Recently this has included 'Aurora', inspired by the work of 17th century painter, Artemisia Gentileschi and 'Dainty Beryl and the club-juggling girls', a new musical theatre piece.

Projects for 2005-2009 include music theatre inspired by the life and work of Jon Masefield, a new stage play about the end of the world, 'The Measuring House', and a radio play featuring the voice of a newly discovered planet.

Christine also has two monologues published in 'One Woman One Voice'  (Parthian Books 2000) and co-wrote the feature film 'Anchoress' (dir. Chris Newby, featuring Pete Postlethwaite and Christopher Eccleston, 1993).








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